The Slavonic Pseudepigrapha Project

I received notice today of an interesting online project dedicated to the Second Temple Jewish literature preserved in the Slavic milieux. The Slavonic Pseudepigrapha Project is developed by scholars from the Theology Department at Marquette University (Milwaukee, USA).

The resource provides original manuscripts, translations, and extensive bibliographies to the following pseudepigraphical materials preserved in Slavonic language, including:

  • Slavonic Life of Adam and Eve
  • Adam Octipartite
  • 2 Enoch
  • Sataniel Text
  • Apocalypse of Abraham
  • Testament of Abraham
  • The Ladder of Jacob
  • Joseph and Aseneth
  • Testaments of the Twelve Patriarchs
  • Testament of Job
  • Life of Moses
  • Apocryphal Fragments about David, Solomon, and Elijah
  • Ascension of Isaiah
  • 3 Baruch
  • 4 Baruch
  • Pseudo-Danielic Fragments
  • Apocalypse of Zosimus
  • Ahiqar
  • The Word of the Blessed Zerubabel
  • The Josippon
  • Palaea Historica
  • Interpretive Palaea
  • Palaea Chronographica

This looks to be a great resource for those interested in the pseudepigrapha.

While I am on the topic of the pseudepigrapha, another excellent resource is the SBL sponsored, Online Critical Pseudepigrapha.


Jesus of Hollywood

reinhartz-jesushollywood.jpgI just received my copy of Adele Reinhartz’s new book, Jesus of Hollywood (Oxford University Press, 2007; Buy from Amazon.ca or Amazon.com). I have always been a fan of Reinhartz’s scholarship on the Bible and film, and it looks like this book will not disappoint. (Her other book on the Bible and film, Scripture on the Silver Screen [WJK, 2003; Buy from Amazon.ca or Amazon.com] is also worthy of perusal.)

This book has five major sections. The first section, “The Genre: Jesus Movies as Biopics” includes an introduction where Reinhartz orients the reader to the nature of biographical films and Jesus films in particular, deals with some methodological issues, and offers a brief survey of Jesus movies. She distinguishes between traditional Jesus films that portray significant portions of the life of Jesus, peplum or “sword and sandal” movies in which Jesus appears briefly within the story line of another character, and “Passion play” films that cover events surrounding the production of and actual clips from a Passion play. Her survey is not exhaustive, though she covers the most significant films between the Passion Play at Oberammergau in 1889 and Mel Gibson’s The Passion of the Christ (2004/2005; Buy from Amazon.ca or Amazon.com). One Jesus film absent from her survey was Denis Potter’s Wednesday Play: Son of Man (UK 1969), though this may be due to the fact that it was produced for television. Understandably, recently released films such as The Nativity Story (Castle-Hughes, 2006; Buy from Amazon.ca or Amazon.com) and The Color of the Cross (La Marre, 2006; Buy from Amazon.ca or Amazon.com) were also absent.

The first section ends with a chapter dealing with the thorny issue of the relationship of Jesus films — and the gospels they are ostensibly based on — to history. Here Reinhartz’s background as a biblical scholar comes to the fore. While many filmmakers have claimed to present the “reel” Jesus in their films, i.e., a Jesus who is faithful to both the Scriptures and history, Reinhartz questions these claims. She deals deftly with the complicated question of the relationship of the gospels to history and how screenwriters have negotiated between the divergent portrayals of Jesus in the four gospels., focusing on the iconoclastic films Jesus of Montreal (Arcand, 1989; Buy from Amazon.ca or Amazon.com) and The Last Temptation of Christ (Scorsese, 1988; Buy from Amazon.ca or Amazon.com). Her conclusion that more recent fare such as The Gospel of John (Savile, 2003; Buy from Amazon.ca or Amazon.com) and The Passion of the Christ mark a “return to the reverential norms of the biopic genre” (p. 40) in contrast to the more provocative films of the 1980s, is correct up to a point, though The Color of the Cross demonstrates that there is still much controversy to be raised by the Jesus film genre.

The rest of the volume looks at the film portrayal of the primary characters in Jesus films: Jesus of Nazareth, Mary, Joseph, God, Mary Magalene, Judas, Satan, the Pharisees, Caiaphas, and Pilate. Each of these characters are the focus of a chapter in which Reinhartz shifts between the presentation of various aspects of their characters in the gospels and their portrayal in the movies. It is in these chapters that Reinhartz offers some close analysis of the biblical text and a wide variety of Jesus films.

The book closes with an afterword where she sums up her study of “Jesus of Hollywood” with the honest assessment that “it is unlikely that the Evangelists would recognize their own particular Jesus in any of the films we have discussed” (p. 252). Furthermore, while there are many similarities between the Jesus of the silver screen and the Jesus of Scripture, “the biopic Jesus is fundamentally different from his historical and scriptural counterparts” (p. 253). The “reel” Jesus is, according to Reinhartz, the Jesus transformed by “two thousand years of art, theology and interpretation, into Jesus of Hollywood” (p. 254). This Jesus is ultimately the product of a combination of history, theology, contemporary concerns, and — let us not forget — the entertainment industry.

All in all, this is an excellent study of the Jesus of Hollywood. I highly recommend it.


Commentaries on Genesis

westermann_genesis.jpgI am teaching an undergraduate course on the book of Genesis this semester, so I thought I would put together a post on what I consider some of the better commentaries on this foundational book of the Bible. I have focused on commentaries in English and have made recommendations for scholars, teachers and preachers, as well as students and lay people.

There are many good commentaries on the book of Genesis, though with Genesis — perhaps more so than other books — the critical commentaries can focus extensively on matters of historical-criticism. While this may be valuable for questions of authorship and the development of a book like Genesis, it doesn’t help with the interpretation of the final canonical form of the text. That being said, Claus Westermann‘s three-volume commentary is excellent, both for its engagement with the critical questions and matters of interpretation (and Speiser to a lesser degree). I also find Nahum Sarna‘s commentary to not only be beautifully typeset, but also rich in its dealing with the Hebrew text and Jewish interpretation. wenham_genesis.jpgFrom a more evangelical perspective, Gordon Wenham‘s masterful volumes are second to none. While Wenham is more concerned with literary and theological issues, he also engages most critical issues with scholarly responsibility. As such, Wenham is my choice for best overall commentary on Genesis.

sarna_genesis.jpgOther good critical commentaries include Coats (somewhat limited by the nature of the FOTL series) and von Rad (a classic tradition-history commentary albeit somewhat sparse), while Brodie‘s literary analysis is interesting to say the least. For a conservative Jewish perspective on the opening chapters of Genesis check out Cassuto. In addition, for those interested in the history of the interpretation of this book, the volumes in the Ancient Christian Commentary on Scripture by Louth and Sheridan are worthy of careful perusal. Finally, Hermann Gunkel‘s ground breaking commentary on Genesis has been recently translated into English by Mark Biddle and is full of many insights for the assiduous reader.

hamilton_genesis.jpgFor pastors and teachers, there are ample commentaries to choose from. Brueggemann, Cotter, Fretheim, Gangel, Hamilton, Mahthews, Ross, and Waltke are all good, though I would probably go with Hamilton if you are looking for one solid commentary written from an evangelical perspective. If you want a broader perspective, then both Brueggemann and Fretheim are excellent. While not a full commentary, Alter‘s translation is refreshing and his comments are also quite insightful.

walton_genesis.jpgMore popular-level commentaries include Gowan, Hartley, Janzen, Kidner, Roop and Walton. I have used Roop as a textbook in the past and have quite liked its style and theological substance. I also find the ITCs by Gowan and Janzen quite insightful. And Kidner, of course, always provides solid exposition from an evangelical point of view. I have to say, however, that I have been nothing but impressed with John Walton‘s commentary in the NIV Application Commentary Series. While he may be a bit more on the conservative side of the spectrum, his knowledge and engagement of the ancient Near Eastern literary, cultural, and historical background to the book are evident on every page. I highly recommend his commentary for pastors, students, and laypeople alike.

Here is an (almost) exhaustive listing of commentaries on the book of Genesis in English:

For more listings and evaluations of commentaries on other biblical books, see my Old Testament Commentary Survey.


The Jesus Family Tomb

In connection to my previous post, “Cameron and Jacobovici producing The Tomb,” I wanted to highlight that Jame’s book, The Jesus Dynasty: The Hidden History of Jesus, His Royal Family, and the Birth of Christianity is available from Amazon.ca or Amazon.com. The first chapter, “The Tale of Two Tombs,” is available from the ABC News website.


I’ve been Blurbed!

Sorry for the self-indulgence, but this is way too cool. I just noticed from Kevin Wilson’s Blue Cord blog that I have been “blurbed” on the back cover of a new edition of Mary Douglas‘s In the Wilderness: The Doctrine of Defilement in the Book of Numbers (Journal for the Study of the Old Testament Supplement Series, 158; Oxford University Press, 2001; Buy from Amazon.ca or Amazon.com).

As far as I am aware, this is my first blurb.

in_the_wilderness_sm.jpg

Here is a close-up of the quote:

wilderness_blurb.jpg

The blurb is from a review I did of the first edition of the book in the Toronto Journal of Theology back in 1994. I imagine it would be fine to reprint the review here, but I should check with the journal first.