Apocalypto, Violence, and Spectacle

Nothing like a bit of human sacrifice to get you in the mood for Christmas! I saw Mel Gibson‘s latest film, Apocalypto last night. While I am still ruminating on the meaning and significance of this film, I can’t say I liked it, nor can I say I didn’t like it (similar to my reactions to Gibson’s The Passion of the Christ). To say I found the film “intriguing” is probably the most accurate. (Spoiler Alert)

If you take the opening quotation from Will Durant (“A great civilization is not conquered from without until it has destroyed itself from within”) as a hermeneutical lens through which to view the entire film, then Gibson is perhaps providing a commentary on the decadence and spectacle of modern western civilization. Of course, if this was his point, Gibson is complicit by making such a violent and gory film. Perhaps the irony was lost on him as it often is on much of Hollywood.

Others have took the film as an apology of sorts for Catholicism, seeing the coming of the Spaniards at the end as a sign of the coming of Christianity and a better civilization. This to me makes no sense. If anything, the end provides an ironic reversal as the hunter now becomes the hunted (this of course raises questions of the role — if any — of the colonial powers in the decline of Mayan civilization). If anything is elevated in this film it is the notion of the noble savage: Jaguar Paw and his forest dwelling clan are presented as an ideal (this seems to me to be the meaning from the last line of the film where Jaguar Paw says to his wife that they shouldn’t go to the Spaniards, but “we must go to the forest. To seek a new beginning. Come, Turtles Run….”).

Peter Chattaway provides a similar interpretation when he reads the film through an oracle given by a little girl near the middle of the film. According to Chattaway, the girl says to the violent Mayans,

You fear me. So you should, all you who are vile. Would you like to know how you will die? The sacred time is near. Beware the blackness of day. Beware the man who brings the jaguar. Behold … [something about the man rising from the mud]. For the one he takes you to will cancel the sky and scratch out the earth. Scratch you out.

And it is the Catholic Spaniards who bring an end to the violent Mayan civilization.

Whatever its meaning, this film is violent and gory. Of course, many would say that the violence and gore is all in the name of verisimilitude and historical accuracy, so it is acceptable. I am not so sure any more. It seems to me that the film industry is caught up with the spectacle of violence and that such extreme violence and gore in film can not help but degrade all who watch it.

At any rate, those are my initial thoughts on the film.

UPDATE: You may want to check out Loren Rosson’s review here.


The 25 Most Controversial Movies Ever

Entertainment Weekly has uploaded their list of “The 25 Most Controversial Movies Ever.” According to Loren Rosson, this was previously published in June 2006 and only made it online this week. I recall his previous blog post on the films, though I didn’t post anything on it at that time.

Here is the list:

  1. The Passion of the Christ
  2. A Clockwork Orange
  3. Fahrenheit 9/11
  4. Deep Throat
  5. JFK
  6. The Last Temptation of Christ
  7. The Birth of a Nation
  8. Natural Born Killers
  9. Last Tango in Paris
  10. Baby Doll
  11. The Message
  12. The Deer Hunter
  13. The Da Vinci Code
  14. The Warriors
  15. Triumph of the Will
  16. United 93
  17. Freaks
  18. I Am Curious (Yellow)
  19. Basic Instinct
  20. Cannibal Holocaust
  21. Bonnie and Clyde
  22. Do the Right Thing
  23. Kids
  24. Caligula
  25. Aladdin

The list doesn’t contain many surprises, though I probably would have made a few changes. For instance, I was surprised that Taxi Driver (Martin Scorsese, 1976) wasn’t on the list considering John Hinckley’s assassination attempt on Ronald Reagan. Also, Hail Mary (Je vous salue, Marie; Jean-Luc Godard, 1985) should get the nod. Others that came to mind include Pink Flamingos (John Waters, 1972), Straw Dogs (Sam Peckinpah, 1971), and Cruising (William Friedkin, 1980). Of course, there are many gory and exploitation films which could have made the list as well (such as I Spit on Your Grave and other such banned films).


Two Hobbit Films Planned… Sweet!

This is great news… at least if you are a Tolkien fan. It appears MGM is planning to produce two (not one) films based on The Hobbit, and that their first choice for director is none other than Peter Jackson. Read the story here.

While I don’t like some of the liberties that Jackson took with LOTR (especially the Ents!), I think he would be a natural choice for the project. While they could probably make due with one film, I won’t complain.

(HT The Busybody)


Bible Movies Galore

I have been getting behind in my coverage of Bible films. I have watched quite a few recently, but just haven’t found the time to blog about them. Such is life.

There are a number of intriguing Bible films that have just been released or are coming out in the next little while — unfortunately, in most cases no Canadian release dates have been set, so I am not sure when I will have a chance to actually view them.

one_night_king.jpgIn the “just released” category falls Michael O. Sajbel’s One Night With the King (2006; IMDb; Official website). This movie about the biblical Esther has opened to favourable (not amazing) reviews. Make sure to check out the thorough review by Matt Page over at Bible Films Blog, as well as his scene analysis. While no Canadian release date has yet been set, it will be released on DVD on 23 January 2007. You can pre-order it from Amazon.ca or Amazon.com.

Sticking to the Old Testament/Hebrew Bible, I should note the DVD release of the made-for-TV film The Ten Commandments (Robert Dornhelm; 2006; IMDb; Official website). This two-part film was released in April 2006 on ABC to less than spectacular results (see this review). The movie is OK. I was glad to see that it departed from previous films covering the same topic by including a bunch of stuff after the Hebrews cross the red/reed sea — and it even finds space for Aaron as Moses’ sidekick! If I have time I will post a more thorough review in the future. It is available for purchase from Amazon.ca and Amazon.com.

On the New Testament side of things (you know, that other testament, the small one :-)), there are two noteworthy films being released this fall.

I am thoroughly intrigued by The Color of the Cross (Jean-Claude La Marre; 2006; IMDb; Official website), which is being released in the United States today. This film is the first historical Jesus film to cast a black actor to play Jesus — which has provided some free publicity for the film (see the Associated Press report). I personally think it will be refreshing considering how many blond, blue-eyed Saviours have been filmed. There is an article on the film in the Chicago Tribune that is worthy of a read and includes interviews with the director as well as Canadian biblical studies scholar Adele Reinhartz (HT Mark Goodacre).

Finally, the birth of Jesus will be the subject of the film The Nativity Story (Catherine Hardwicke; 2006; IMDb; Official website), which is slated for a December 1st release. Matt Page has a convenient summary page for this film here.

For a complete listing of films based on the Old Testament/Hebrew Bible see my Old Testament on Film pages. An excellent place to visit for news and reviews of Bible films is Matt Page’s Bible Films Blog.


The 2006 Arts and Faith Top 100 Spiritually Significant Films

The Arts and Faith Forum has released their annual Top 100 Spiritually Significant Films list. The list contains a whole bevy of interesting films including classics and more popular fare. The films are chosen by members of the Arts and Faith forum through a somewhat convoluted process of voting and as such some films rank higher than they should while other great films get passed over altogether (at least in my opinion).

That being said, here are the top twenty:

  1. Ordet (The Word)
  2. Le Fils (The Son)
  3. The Miracle Maker (The Miracle Maker: The Story of Jesus)
  4. The Gospel According to Matthew (Il Vangelo Secondo Matteo)
  5. The Diary of a Country Priest (Le Journal D’un Curé De Campagne)
  6. The Passion of Joan of Arc (La Passion De Jeanne D’arc)
  7. The Decalogue (Dekalog)
  8. Babette’s Feast (Babettes Gæstebud)
  9. A Man Escaped (Un condamné à mort s’est échappé ou Le vent souffle où il veut)
  10. Andrei Rublev (Andrey Rublyov)
  11. Balthazar (Au Hasard Balthazar)
  12. The Seventh Seal (Det Sjunde Inseglet)
  13. Ikiru (To Live)
  14. Winter Light (Nattvardsgästerna)
  15. The Mission
  16. The Apostle
  17. Three Colors Trilogy
  18. Jesus of Nazareth
  19. Jesus of Montreal (Jésus De Montréal)
  20. The Flowers of St. Francis (Francesco, giullare di Dio)

There are not too many surprises in the top twenty, though I can’t believe The Miracle Maker made the top twenty, let alone number three!  I was glad to see Magnolia, one of my personal favourites, make number 23.

I was also happy to see that three of the films in Taylor’s fledgling Faith & Film club made the list (Millions #42; Babette’s Feast #8; and Hotel Rwanda #65).

There is much more I would like to comment on, but I do not have time right now. So you’re just going to have to go view the entire list for yourself: Top 100 Spiritually Significant Films. For my brief comments on last year’s list, see here. In addition you may be interested in looking at my “Essential Films for Theologians: The ‘Director’s Cut’â€? or my “Essential Films of 2005 for Theologians – Extended Edition.”